Hidden in Plain Sight. A Conversation with Anne Buckwalter
When Katherine Bradford stopped by Anne Buckwalter’s studio in Maine earlier this summer, Buckwalter was in the middle of finishing a new series of paintings. The two artists quickly fell into an easy conversation about bodies and the ways intimacy finds its way into art. They compared notes on growing up around purity culture, painting figures without faces or genitals, and how eroticism can be both radical and ordinary at the same time. Their talk moved the way their paintings do — back and forth between humor and seriousness, with a lot of curiosity in between. At one point Bradford teased Buckwalter about hiding erotic details in plain sight; later Buckwalter asked Bradford is she thought her own figures had secret erotic lives. Both painters have new shows opening in New York this fall — Buckwalter’s “Lover’s Knot” at Uffner & Liu and Bradford’s latest work at CANADA — but here, in the studio, the conversation was less about milestones and more about the shared joys and risks of making art.
